Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
Credits | Terms Of Use | Legal | DMCA
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $2 million to support music education for children – hundreds of grants in all 50 states, with more on the way.
Review by Hose_jam
5:50-Trey and Page begin modulating the riff. Mike then comes in adding a background rhythm. Fishman plays the same driving beat for the beginning of this jam.
6:30-Page switches to Piano.
7:00-Trey plays an off key melody line. The jam kinda falls apart.
7:30-Trey settles on a simple melody and continues to play the rift as Page eventually comes back in.
7:50-Trey fills out the melody and Fishman comes in with a beat. Page continues dissonant sounds on the Piano.
9:05-Trey pulls it up, vamps on a note and Mike catches on. Fishman plays a nice line of fills.
9:25-Trey returns to his riff.
9:50-Trey unleashes a guitar scream that would make the guitar gods proud. He brings the melody down an octave and adds a nice distortion on it.
10:30-The jam has a bit of a Tweezer reprise feel to it.
10:45-Trey plays around with the melody. Him and Page take turns with some dissonant sounds.
11:33-Trey brings the melody back up an octave and has some great sustain and bended notes.
11:50-Fishman pushes the beat and plays some great fills. Tons of power in his playing.
12:10-Trey pulls it back, everyone plays dissonant strange chromatic lines.
12:30- Everyone begins to slow the tempo, continuing their strange lines.
13:15